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WRITING WELL

Poetry by Renee Norman, 1999

Between Wor(l)ds

in book time

between wor(l)ds

books stacked like steps

around the architecture of her rented room

Martha does not sleep

snacks on sentences

all night long

 

gone is the flat line drawing of her day

the structure of the office

the symmetry of a prim supervisor

the tailored suits

on cool skin

 

in her nylon slip

she climbs and climbs the words

a stairway to her reformation

amazed at first light of morning

to be identical

she has not moved at all

  

 

Martha's father:

 

the boy-man damaged by war

& the Englishman who emigrated

to Southern Rhodesia

with a Queen Anne chair

 

he is a heat sensor

who reflects Martha's change in temperature

or a veil that is drawn

to distance confrontation

 

he knows the restlessness in her

but did not question her marriage

did not pass judgement either

when she left the child

 

deep in a drug-induced sleep

he mutters wisdom

awake he offers nightmares

 

fingers that accuse

stakes of the fallen walls

around his body

his mind's grasp

of the horror he brings home to her

 

when she reads the first documented accounts

of Hitler's atrocities

it is her father's ribcage she envisions

every bone of Adam

another finger pointing

 

Assignation

 

he enters Martha

as he might a room

where the light is blinding his eyes

 

in the tub he draws circles on her skin

with the soap

laughing he tells her

on his way to meet her

approached and propositioned

"i said i already have a lady"

 

he pushes small beds together

holds Martha where the space between them

forms a crevice

a hard ridge of earth

she feels beneath her back

overpowering his tender hold

 

in this scented

sinkhole talking

the pronoun I rings in her ears

 

it is then she knows the future

her skin round with dried white foam

 

Dream Moments

 

Martha felt his absence keenly

when next day

the meeting over

he looked at her

stubborn, unhappy

defiant

a kind of unperceptive dullness

in his eyes

missed moments

that's what she feared most

from these encounters

 

in her dream his kiss

so fierce

grabbed the unresolved feeling

between them

crushed it in the physical act of embrace

 

today

her arms empty

like a baby torn from a loving grip

he stood there

only a dream away

 

Through the Crib Bars

 

I.

her pink cheeks

leak through the crib bars

asleep at last

as if she hadn't been screaming

that colicky high-pitched wail

only moments ago

 

shadows of the rails

fall down across her small back

with weightless rods

that imprison her to Martha's care

for an instant

Martha sees the stripes

as lashes from a whip

she shakes the image off

with loathing

 

afraid to touch the soft skin

for fear she'll wake

and start the cycle again

too soon

she dreams the baby is pliant

molded to her ribs

like putty

more like the babies in the books

with four hour schedules

and gurgles

not this fierce creature

hard to hold

impossible to cuddle

 

II.

she calls the baby's name

through the leafy openings in the hedge

a kind of lament

whispered in the floral underworld

but the baby doesn't respond

already she has forgotten Martha

forgotten the vessel

 

her curls are looser now

the head upright

she sits unaided

fist tight around a plastic toy

slick from saliva

Martha misses her

more than she would have thought possible

a pink baby from some magazine

Martha feels pain that someone

accomplished what she didn't

 

III.

the rules are that she must observe

from a distance

(her mother makes that clear)

when Martha sees the child

placed on her father's sickbed daily

a small body curved into

her father's emaciated thigh

she can smell the camphor of the medicines

hovering

and her mother's servitude

 

IV.

in the photos a stranger with Martha's eyes

glances back

good-byes made

years ago

 

For Martha's Ears Only

 

if she were to take shape

in my room

i would whisper

the only two words that fit

 

i am not Martha

not a child of war

seeking solace

not Martha

trapped in a loveless marriage

or oppressed by children's petulance

 

yet if she rose off the pages

swelling in novel possibilities

i would recognize

the limbs hers

a composite heart transplanted

where a person is most worthy

of the color of her skin

the cold ungentle parts of her

that worded me

and whisper:

i understand

 

Renee Norman